His Dad Didn’t Want Him To Draw. Dad Didn’t Know Best

His Dad Didn’t Want Him To Draw. Dad Didn’t Know Best
April 21, 2018 Elijah James Logan

Behind pea-green curtains in a steamy office in the Central African Republic’s capital of Bangui, comic book artist Didier Kassai carefully dips his paintbrush into a nut brown pigment on his palette, wipes it on a scratch sheet then slowly puts it to paper. His brush strokes bring a watercolor to life – itself a scene of death. The brown is used to color the butt of a rebel’s gun in a strip chronicling his country’s spiraling conflict. Kassai is one of a small coterie of comic-book artists in CAR using their work for social good — in a struggling and impoverished country. CAR’s government wields little authority beyond the capital. Armed groups control vast stretches of the country, where roads and phone networks are at best unreliable. Even Bangui — with U.N. peacekeepers everywhere — is not immune from violence. Last week more than a dozen people were killed and scores wounded in clashes in the capital. State services like health-care, meanwhile, are in short supply. That’s why

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